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在瓦尔堡的图像学思想中,图像的叙事建构是他一直关注的主题,也是一个被学界所忽略的话题。瓦尔堡提出“运动附属物”概念,在图像细节边缘处寻找符号的叙事隐义。瓦尔堡认为图像叙事隐藏着古代世界的文化遗存,这种文化遗存通过“情念程式”和“极性”的形式表现出来。瓦尔堡的图像叙事呈现出互图叙事的特点,他通过图像间的对话,以蒙太奇的方式展示图像群的互动意义建构。瓦尔堡的研究呈现出跨学科的视域,他试图运用一切可以获得的理论资源,建立一种他称之为“文化科学”的研究范式。瓦尔堡的图像叙事思想提供了图像学研究的新的参照系,它从一个新的角度展现了不同学科面对同一主题的互证与互释关系。
Abstract:In Warburg's iconography thought,the narrative construction of images is a theme that he has always been concerned about,and it is also a topic that has been ignored by the academic community. Warburg proposed the concept of“Accessory Forms in Motion”to find the narrative hidden meaning of symbols at the edges of image details. Warburg believed that the cultural relics of the ancient world are hidden in image narratives,and this cultural relics are expressed in the form of“Emotive Formula”and“Polarity”. Warburg's image narrative exhibits the characteristics of inter-picture narrative.He uses dialogue between images to demonstrate the interactive meaning construction of image groups in the form of montage. Warburg's research presented an interdisciplinary perspective,and he attempted to use all available theoretical resources to establish a research paradigm he called“Kulturwissenstchaft.”Warburg's idea of image narrative provides a new frame of reference for iconography research.It shows the mutual verification and mutual explanation relationship between different disciplines facing the same theme from a new perspective.
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(2) Warburg A.,“Sandro Botticelli’s Birth of Venus and Spring:An Examination of Concepts of Antiquity in the Italian Early Renaissance,”in Gertrud Bing(ed.),David Britt(trans.),The Renewal of Pagan Antiquity:Contributions to the Cultural History of the European Renaissance,Los Angele:The Getty Research Institute for the History of Art and the Humanities,1999,p.121.
(1)Warburg A.,“Dürer and Italian Antiquity,”in Gertrud Bing(ed.),David Britt(trans.),The Renewal of Pagan Antiquity:Contributions to the Cultural History of the European Renaissance,Los Angele:The Getty Research Institute for the History of Art and the Humanities,1999,p.555~556.
(2)Warburg A.,“The Absorption of the Expressive Values of the Past,”Rampley M.(trans.),Art in Translation,2009,1(2):278.
基本信息:
DOI:10.14167/j.zjss.2024.05.007
中图分类号:I0
引用信息:
[1]杨向荣,孙元.重读瓦尔堡:被忽略的图像叙事建构[J].浙江社会科学,2024,No.333(05):126-135+160.DOI:10.14167/j.zjss.2024.05.007.
基金信息:
国家社科基金项目“图像的叙事建构及其话语隐喻研究”(20BZW027)阶段性成果
2024-05-15
2024-05-15