浙江社会科学

楼璹《耕织图诗》是中国古代文学史上出现较早的大型农事组诗,其文本融合了先秦以来大量同类诗歌的艺术精华,虽然尚有明显的拼凑痕迹,但其集大成意义毋庸置疑,实为范成大《四时田园杂兴》之先声。在广泛继承艺术传统的基础上,《耕织图诗》也有所创变。遵循着谏上和劝下的双重艺术旨趣,《耕织图诗》一方面增添了宫廷诗的因素,屡用舜帝躬耕、丞相重农、后妃祭蚕献茧等典故,有些织图诗风格软媚,塑造的人物形象近于仕女,与以往的农事诗颇有差异;另一方面,《耕织图诗》又融入了劝农诗劝勉农桑、化育民风的艺术功能,有意识地向农村推介当时较为先进的生产技术,倡导更为合理的家庭协作式的生产关系。楼璹《耕织图诗》奠定了别具一格的耕织文化传统,对后世产生了深远影响,其艺术价值和社会价值不容忽视。

Lou Shu's "Poetry about Farming and Weaving Pictures" was the earlier large-scale farming poems in the history of ancient Chinese literature. Its text combined a lot of essence of similar poetry since the Pre-Qin periods although it pieced them together obviously. It was the first signs of Fan Chengda's "Miscellaneous Poems about the Four Seasons of Country". On the basis of the extensive inheritance of art tradition, "Poetry about Farming and Weaving Pictures" had some new developments. It has dual purport: persuade the royal family and farmers. On the one side, some factors of the palace poem were added into "Poetry about Farming and Weaving Pictures". It used many allusions and made the style of Weaving Picture Poems soft which was different from previous poems. On the other side, "Poetry about Farming and Weaving Pictures" had some new art functions such as prompting advanced agricultural techniques and advocating ?a more reasonable family collaborative production relations. "Poetry about Farming and Weaving Pictures" laid the foundation for unique farming and weaving culture tradition and had a profound effect on later generations, so its artistic value and social value should not be ignored.